Date:         Tue, 18 Mar 1997 13:03:01 GMT0BST
Reply-To:     Aikido List 
Sender:       Aikido List 
From:         Jonathan Diesch 
Organization: University of Leeds
Subject:      Jo kata - Complete!
To:           AIKIDO-L@PSUVM.PSU.EDU

As promised, a labour of love:

For this transcription, I have tried to avoid using japanese terms for various
techniques, partly because I can never remember them all, and mostly because
it will limit the number of ppl who can follow what I'm saying. This is only a
description of the kata as I know it, and may bear no relation whatsoever to
anything your sensei has taught you.

Throughout this transcription YOU are 'doing' the kata side, HE is 'doing' the
"anti-kata". numbers 1-31 are you, numbers 1a-30a are him!

   31-COUNT JO KATA AND KUMI-JO

   1a: starting L posture, he makes a straight thrust to your chest.
    1: Starting L posture, you step off the line to your L and make a reverse
       thrust over his jo, to the chest.
   2a: stepping back, and slightly left, he rotates his jo to cause a
       deflection of yours, taking your balance to your rear L, and then makes
       a straight thrust to your face.
    2: Stepping to your R, you raise your jo to protect your face, and block
       upwards, cocking your wrists as you do so, to keep contact, and stop
       his jo flying off into space. From here rotate your jo from under his
       to on top, and strike it down, taking his balance to his front R,
       and...
    3: Thust to his L floating ribs.
   3a: keeping the end of his jo low, he steps back into R posture, and turns
       his hips towards you, blocking your strike with his jo vertical. From
       here he makes a spiral movement with his jo, that brings on-line with
       your face, and takes your jo, and your balance, to your rear L. Then he
       makes a straight thrust at your face.
    4: You avoid this thrust by making a BIG step to your R, across the line,
       raising the jo to protect your face, NOT blocking him! As you bring the
       jo up, allow your back hand to slide into the middle of the stick, then
       let go with your front hand so that you can rotate the jo through 180
       deg. catch the end again, step forward and...
    5: make a straight cut (shomen).
   5a: stepping back, he absorbs your cut by making an identical cut to yours,
       in mirror-image.
    6: So drop the end of the jo to your R, step forward, around the end of
       his jo, and cut again. You should now be in L hanmi.
   6a: he makes another identical cut, but is a little slow with it, this time
       you catch his jo, and send him off-balance to his rear L. He should now
       be in L hanmi.
    7: You now pivot to face the opposite direction, and make a straight cut
       to an imaginary persons' head.
   7a: he recovers his balance, and attempts a straight thrust at your back.
    8: You step forward, making shomen again.
   8a: he raises his jo to hit you on the head, stepping forward into R
       posture.
    9: You are in L posture, L hand forward on the jo. You raise the end of
       your jo to your front L, and then make (kaiten-ashi) by pivoting on the
       balls of you feet through 180 deg. then stepping FORWARD with your L
       foot. As you do this swing the jo round, and down diagonally, to strike
       at his knees. Ensure that you turn your wrists over so that you PUSH
       the jo round not pull it. If you pull you cannot stop the jo easily. Do
       not allow the jo to go further than 90 deg past his knees.
   9a: with his jo still raised he steps back (quickly!) then steps in again
       to strike your head.
   10: Step forward on your L foot, bringing the jo up horizontally under his
       elbows, to prevent him cutting you, IRL you go under his chin, or put
       the tip straight in his throat.
   11: now drop the end of your jo, allowing him to finish his cut, stepping
       round to your L, and making shomen.
  11a: he avoids being hit by drawing back, and meeting your strike,
   12: You are now in L posture, so is he. This is a neutral position.
       Release the jo with your L (back) hand, uncross your hands and grip the
       jo firmly, pointing towards him maintaining zanshin.
  12a: he does the same as 12.
   13: Step forward, L posture, and thrust to his chest.
  13a: he steps to his R, and spirals under your jo, as in no 2a, then thrusts
       at your face.
   14: Step across to your R, and avoid the jo as in no 4
   15: Make shomen as no 5.
  15a: he steps back, and makes a mirror image shomen, as no 5a. He is now in
       R posture, with the R hand forward.
   16: To avoid having the end of your jo smashed by his shomen, pull the jo
       back along your L side. Pull the jo with your back hand, through the
       front until the end of the jo is in your front hand, then push the jo
       through the back hand with your front. If you do this in reverse you
       will get your hand broken! Keep the jo in close to your body, with the
       front R hand at about chest height. You should be in R hanmi.
   17: Now step forward with your L foot, around his jo, and punch it forwards
       to strike his R knee.
  17a: he steps back into L posture, and simultaneously turns his hand over,
       allowing the end of the jo to drop, he puts his left hand in front of
       the R, and slides the R hand to the back of the jo. This blocks the
       knee strike, and exposes you to...
  18a: he draws his jo back, and makes a straight thrust at your knee/thigh
   18: you step forward and to the R, turn to face him, and rotate your jo
       through 180 deg. to strike his stick down with the back end, being
       carefull to keep the jo at an upward angle so that he is knocked down
       and away from you. This also exposes his leg, so...
   19: Draw back slightly, and thrust at his ANKLE.
  19a: he steps back, drawing his L foot out of the way, and turning to face
       you, as he does this he lifts the back end of his jo, so that is
       vertical, and blocks your ankle thrust to the side. At this point he
       thinks he can hit you on the head, so raises his jo for shomen uchi.
   20: You raise your jo to protect your head, but then realise that you can
       hit his R knee, so step forward and to your R, turning L to face him,
       and strike to the back of his knee, dropping onto one knee as you do
       so.
  20a: having raised his jo above his head for shomen, he sees you going
       instead for his knee, so steps back to withdraw the leg, and swings the
       jo back down to block your strike vertically.
   21: You pull you jo back against your side, to avoid it being hit, as in no
       16.
  22a: he raises the jo to make a straight strike to your head.
   22: You are in R posture, sitting on your L leg, you stand up and step
       forward, bringing the back end of the jo forward, to thrust at his
       chest.
  23a: to avoid this thrust he pivots his lead foot, turning off the line, and
       facing you. the jo is still raised. He then slides the jo though his
       hands to thrust downwards at your chest, over the top of your jo.
   23: You step to your R side, turning to face him, and rotate the jo
       vertically through 180 deg. to strike his jo downwards and away from
       you, exposing his side.
   24: You make a straight thrust at his L side.
  24a: he pivots to his R, avoiding the thrust, then back to his original
       position, at the same time he drops the end of his jo under yours, and
       spirals it over the top, knocking you off balance to your front and L,
       this is similar to nos 2a and 13a, only upside down.
   25: You draw your jo back to regain your posture, and make another straight
       thrust to his ribs.
  25a: he turns to his L again, this time rotating the jo through 180 deg.
       vertically to strike your stick down. He then makes a straight thrust
       to your face.
   26: You make a BIG step back and slightly off the line to your R pulling
       the stick back to your R side, as in no 16
   27: Now step forward, punching the jo forwards to strike his knee as in no
       17. You are now in R posture.
  27a: he steps back, dropping the front end of his jo to block
   28: Step forward, and to your L, moving past the end of his jo, and raise
       your jo ABOVE your head, so that you can thrust downwards at his
       chest/neck, with the lower end.
  28a: he lifts the front end of his jo to vertical, and steps back, avoiding
       the thrust. As he does so, he strikes the end of your jo sideways, and
       he finishes with the jo held vertically, to side of his head (hasso no
       kamae (?))
   29: When your jo is stuck sideways, allow it to rotate HORIZONTALLY through
       180 deg. then drop the jo down to a mid-level position, and...
   30: thust at his chest (chudan tsuki).
  30a: he steps off the line to his R, and makes a straight strike to the end
       of your jo.
   31: Absorb the force of his strike, letting the jo travel naturally around
       your body, step forward and to your L, turning to face him, and strike
       him powerfully across the back of his head, caving in his skull, and
       finally finishing the whole business!
       You should finish in L posture, with your right hand forward on the jo.
       He should be flat on the floor, bleeding, or alternativley in R
       posture, with his R hand forward on the jo.

        This is not a perfect transcription, many of the techniques are really
hard to explain in words, as you have probably seen(!) So dont take this as
gospel! (also dont leap down my throat for getting it all wrong!) I am
intending to put a pamphlet together with a full set of photos to illustrate
this kata at some point, perhaps then it might make some sense :)
       I hope that this is of at least SOME use to someone, as it has taken me
3 hours to write, and I have blisters on my typing finger!
       I'll stop waffling now.

     Jon.

    "I have forgot much Cynara! gone with the wind,
       Flung roses, roses, riotously with the throng,
       Dancing to put thy pale lost lilies out of mind;
       But I was desolate and sick of an old passion.
       Yea, all the time because the dance was long,
     I have been faithful to thee, Cynara! in my fashion."

              [Ernest Dowson - Horatian Verses]